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Select Programs and Features. However, Edward leaves Spectre, unwilling to settle down but promising Jenny he will return.
Edward and Karl reunite and visit the Calloway Circus, where Edward falls in love with a beautiful young woman. Karl and Edward get jobs in the circus, where the ringmaster Amos Calloway reveals to Edward one detail about the woman at the end of every month.
Three years later, Edward discovers that Amos is secretly a werewolf and is attacked by him, but avoids getting him shot with a silver bullet by playing fetch until he turns back into human in the morning.
Amos, upon returning to normal, reveals the woman's name to be Sandra Templeton, and that she attends Auburn University. Edward goes to Auburn via cannon, and stalks Sandra for many days, even going so far as to plant millions of daffodils outside of her dorm bedroom.
She tells him that she is engaged to Edward's childhood peer, Don. Don brutally beats up Edward, prompting Sandra to break off their engagement and marry Edward; not long after, Don soon dies of a heart attack as the witch had prophesied.
Shortly after, Edward is conscripted into the army and sent to fight in the Korean War. He parachutes into the middle of a North Korean military show, steals important documents, and convinces Siamese twins Ping and Jing to help him go home in exchange for making them celebrities.
Upon returning home, Edward becomes a travelling salesman and crosses paths with Winslow. He unwittingly helps Winslow rob a failing bank with no money and later inspires the poet to work on Wall Street.
Winslow becomes a wealthy broker and repays Edward with a large sum of money, which Edward uses to obtain his dream house.
In the present, Will investigates the truth behind his father's tales and travels to Spectre. He meets an older Jenny, who explains that Edward rescued the town from bankruptcy by buying it in an auction and rebuilt it with help from his friends from Calloway Circus.
Will suggests that Jenny had an affair with his father, but she reveals while she loved Edward, he remained loyal to Sandra.
Will returns home but learns Edward has had a stroke and stays with him at the hospital. Edward wakes up but, unable to speak much, asks Will to narrate how his life ends.
Though struggling, Will tells his father of their imagined daring escape from the hospital to the nearby river, where everyone from Edward's past is there to see him off.
Will takes Edward into the river where Edward transforms into the giant catfish and swims away.
A satisfied Edward dies, knowing Will finally understands his love for storytelling. Will, finally understanding his father's love for life, passes on Edward's stories to his own son.
The reconciliation of the father-son relationship between Edward and William is the key theme in Big Fish. Wallace found the "charming" character of Edward Bloom similar to his father, who used charm to keep his distance from other people.
Wallace explains: "The father's quest is to be a big fish in a big pond, and the son's quest is to see through his tall tales.
Screenwriter John August identified with Will's character and adapted it after himself. In college, August's father died, and like Will, August had attempted to get to know him before his death, but found it difficult.
Like Will, August had studied journalism and was 28 years old. In the film, Will says of Edward, "I didn't see anything of myself in my father, and I don't think he saw anything of himself in me.
We were like strangers who knew each other very well. I tried to get in touch with him, to have, like in this film, some sort of resolution, but it was impossible.
Religion and film scholar Kent L. Brintnall observes how the father-son relationship resolves itself at the end of the film. As Edward dies, Will finally lets go of his anger and begins to understand his father for the first time:.
In a final gesture of love and comprehension, after a lifetime of despising his father's stories and his father as story-teller, Will finishes the story his father has begun, pulling together the themes, images and characters of his father's storied life to blend reality and fantasy in act of communion and care.
By unselfishly releasing the anger he has held about his father's stories, Will gains the understanding that all we are is our stories and that his father's stories gave him a reality and substance and a dimension that was as real, genuine, and deep as the day-to-day experiences that Will sought out.
Will comes to understand, then, that his father—and the rest of us—are our stories and that the deeper reality of our lives may, in fact, not be our truest self.
In September ,  August convinced Columbia Pictures to acquire the film rights on his behalf.
Spielberg planned to have DreamWorks co-finance and distribute Big Fish with Columbia, and planned to have filming start in late ,  after completing Minority Report August recalls: "There was this thought that there wasn't enough for Jack Nicholson to do in the movie so we built new sequences.
Pieces got moved around, but it wasn't a lot of new stuff being created. It ended up being a really good intellectual exercise in my explaining and defending and reanalyzing pieces of the story.
With Spielberg no closer to committing, August, working with Jinks and Cohen,  considered Stephen Daldry as a potential director.
Burton had never been particularly close to his parents, but his father's death in October and his mother's in March affected him deeply.
Following the production of Planet of the Apes , the director wanted to get back to making a smaller film. Burton enjoyed the script, feeling that it was the first unique story he was offered since Beetlejuice Burton also found appeal in the story's combination of an emotional drama with exaggerated tall tales, which allowed him to tell various stories of different genres.
Zanuck also had a difficult relationship with his own father, Darryl F. Zanuck , who once fired him as head of production at 20th Century Fox.
Burton had previously worked with Nicholson on Batman and Mars Attacks! In order to depict Nicholson as the young Bloom, Burton intended to use a combination of computer-generated imagery and prosthetic makeup.
The director then decided to cast around for the two actors in question. Burton later compared McGregor's acting style to regular colleague Johnny Depp.
You can get your teeth into it. Standard American is much harder because it's more lyrical. Her prosthetic makeup for The Witch took five hours to apply.
Burton personalized the film with several cameos. While filming in Alabama, the crew tracked down Billy Redden , one of the original banjo players from Deliverance Redden was working as a part-owner of a restaurant in Clayton, Georgia , and he agreed to reprise his role in the Spectre vignette.
As Edward Bloom first enters the town, Redden can be seen on a porch plucking a few notes from " Dueling Banjos ".
Burton was pleased with the result: "If you're watching the film and don't recognise the solitary, enigmatic figure on the porch, that's fine.
But if you do — well, it just makes me so happy to see him and I think other people will feel the same way. Burton planned to start filming in October , but principal photography in Alabama did not begin until January 13, Burton filmed all the dramatic hospital scenes and most of those involving Finney first, before moving on to the McGregor section of Bloom's life.
The director attempted to limit the use of digital effects. However, because he wanted to evoke a Southern Gothic fantasy tone for Big Fish , color grading techniques were applied by Sony Pictures Imageworks.
The soundtrack was composed by regular Burton collaborator Danny Elfman. After screening an early print of the film, Pearl Jam vocalist Eddie Vedder wrote " Man of the Hour ", completing the demo by the next day.
It was recorded by the band four days later. You must be a registered user to use the IMDb rating plugin. Nominated for 1 Oscar. Another 68 nominations.
Ed Bloom - Young Albert Finney Ed Bloom - Senior Billy Crudup Will Bloom Jessica Lange Sandra Bloom - Young Robert Guillaume Bennett - Senior Marion Cotillard Josephine Bloom Matthew McGrory Karl the Giant David Denman Don Price - Age Missi Pyle Beamen as Loudon Wainwright Ada Tai Ping Arlene Tai Jing Steve Buscemi Learn more More Like This.
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Edit Storyline United Press International journalist Will Bloom and his French freelance photojournalist wife Josephine Bloom, who is pregnant with their first child, leave their Paris base to return to Will's hometown of Ashton, Alabama on the news that his father, Edward Bloom, stricken with cancer, will soon die, he being taken off chemotherapy treatment.